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PRESS & REVIEWS
“Dylan Gregg’s sonorous bass-baritone greatly enlivened the character of Roucher, and his imposing stature and committed acting were a noteworthy contribution.”
—Opera Today
Andrea Chénier
OperaDelaware
“Bass-baritone Dylan Gregg is endearing as Snug, concerned that his performance as Lion will frighten the ladies ‘whose gentle hearts do fear / The smallest monstrous mouse that creeps on floor.’”
—St. Louis Arts Scene
“As Snug, Dylan Gregg’s handsome bass-baritone added substantial richness to the comic troupe.”
—Opera Today
A Midsummer Night’s Dream
Opera Theatre of Saint Louis
“I also enjoyed Dylan Gregg as the rather blockheaded Superintendent Budd, his rich bass-baritone and superb comic timing making a lot out of a little…”
—Medium
Albert Herring
Opera Baltimore
“Finally, Young Artist Dylan Gregg’s Antonio was not only well sung, but acted most convincingly.”
—Palm Beach Arts Paper
“Bass-Baritone Dylan Gregg, also a Palm Beach Opera Young Artist, was in fine company on stage. Gregg is a booming young voice, with effortless projection and smooth tone quality. He moved well on stage as the eccentric gardener, Antonio.”
—Palm Beach Daily News
Le nozze di Figaro
Palm Beach Opera
“Dylan Gregg, also from the Young Artist program, was a sonorous Duke of Verona.”
—Palm Beach Arts Paper
Roméo et Juliette
Palm Beach Opera
“… and Dylan Gregg intoning moral rectitude in a sturdy bass-baritone as Collatinus.”
—Phindie
“… and Dylan Gregg (as Collatinus), a bass-baritone with vocal plushness and dramatic authority.”
—Reclining Standards
The Rape of Lucretia
The Academy of Vocal Arts
“As Cuno, bass-baritone Dylan Gregg was a formidable voice and brought a unique presence to the dramatic arc of the plot.”
—Washington Classical Review
Der Freischütz
Wolf Trap Opera